Midnight Magic
by Jeanie London, Susan Kearney, Rebecca York

A magical painting, a mystical gateway...

Legend has it that a heartbroken artist used magical paint to create the beautiful "Midnight Magic" - and then stepped into the painting and was never seen again. Or so Sara Drimmon is told when she visits the Second Chance Gallery in Rebecca York's "Second Chance." Sara experiences the magic for herself when the painting sends her into her own past and gives her a second chance with her first love.

Then it's Sara's turn to introduce someone to the painting— and she chooses Merline, a beautiful singer who's lost her voice. In Susan Kearney's "Ulterior Motives," the painting sends Merline thousands of years into the future, where she is no longer a superstar. Is Merline ready to trade stardom for love?

In Jeanie London's "Temptation," an artist urges Nina de Lacy to look deeply into the painting. But Nina has her own magical way of seeing into the souls of men—and now she must choose between the destiny "Midnight Magic" offers her and the two men who wait for her to tell them their future...

Other Books by Jeanie London

In the Cold

Jeanie London's Bio

Jeanie London, Sizzling . . . Sensuous . . . Seductive Tales

Jeanie London has had a head filled with characters for as long as she can remember. She completed her very first novel when she was just eleven--200 handwritten pages spanning several composition notebooks. School years were spent sneaking romances into school when she should have been learning algebra and biology. College years were spent taking all sorts of electives, like journalism and fiction writing classes, when she should have been taking algebra and biology. Nowadays, Jeanie is still reading and writing romances because she believes in happily-ever- afters. Not the "love conquers all" kind, but the "two people love each other, so they can conquer anything" kind.

Visit Jeanie at http://www.jeanielondon.com. She's very social and loves to meet others who believe in happily ever afters, too.